Detail príspevku/publikácie

K fenomenológii umeleckej kritiky

Filozofia, 2017, roč. 72, č. 10, s. 813-824.
Jazyk: Slovak
Súbor na stiahnutie: PDF*
BibTex EndNote Tagged EndNote XML RIS

Štatistika dokumentu:

Počet prístupov: 74
Počet prístupov dnes: 0
Naposledy zobrazené: 21.01.2018 - 13:24
Počet stiahnutí PDF: 27

Abstrakt

Husserlian phenomenology can analyze the art criticism in two ways: first, it can analyze its very transcendental possibilities; second, it can analyze it as a particular cultural institution. The former approach places art criticism within analyses of pure consciousness at the “crossroad” between aesthetic and natural attitude while arguing for primacy of the aesthetic experience in artistic value judgment. This analysis comes with a particular normative prescription for the art criticism. However, such prescription does not sufficiently address the multifaceted tasks the living art criticism takes upon itself. Therefore, the article investigates and outlines the latter approach, too, that is, the ways in which Husserlian phenomenology can engage with the art criticism as a cultural institution. Leads are offered by Husserl’s treatment of the ethical dimension of vocation, which could be fruitful for the art criticism as well.

Kľúčové slová

Aesthetics, Art criticism, Axiology, Edmund Husserl, Value, Vocation

*Príspevok je chránený zákonom o autorskom práve a právach súvisiacich s autorským právom (autorský zákon).