<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Tlustý, Jan</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Fictional and Factual Autobiography from the Perspective of Speech Act Theory</style></title><secondary-title><style face="normal" font="default" size="100%">Organon F</style></secondary-title><translated-title><style face="normal" font="default" size="100%">Fictional and Factual Autobiography from the Perspective of Speech Act Theory</style></translated-title></titles><keywords><keyword><style  face="normal" font="default" size="100%">Bohumil Hrabal</style></keyword><keyword><style  face="normal" font="default" size="100%">fictional autobiography</style></keyword><keyword><style  face="normal" font="default" size="100%">John Maxwell Coetzee</style></keyword><keyword><style  face="normal" font="default" size="100%">John Searle</style></keyword><keyword><style  face="normal" font="default" size="100%">speech act theory</style></keyword></keywords><dates><year><style  face="normal" font="default" size="100%">2012</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.klemens.sav.sk/fiusav/doc/organon/prilohy/2012/2/179-185.pdf</style></url></web-urls></urls><number><style face="normal" font="default" size="100%">2</style></number><volume><style face="normal" font="default" size="100%">19</style></volume><pages><style face="normal" font="default" size="100%">179-185</style></pages><abstract><style face="normal" font="default" size="100%">The study considers the pertinence of Searle’s speech act theory to literary studies, more specifically to the definition of fictional and factual autobiography. Searle’s conception of fictional discourse as a pretended assertion influenced Gérard Genette in his definition of the necessary condition of factual autobiography, which he sees in the identity of the author with the narrator, meaning that in autobiography, the author bears full responsibility for what he or she asserts. According to Genette, if the narrator and the author are not identical, the autobiography is fictional. These theoretical arguments are then applied to the interpretation of Bohumil Hrabal’s trilogy &lt;i&gt;In-House Weddings&lt;/i&gt;, &lt;i&gt;Vita Nuova&lt;/i&gt; and &lt;i&gt;Gaps&lt;/i&gt; and the fictional autobiography &lt;i&gt;Boyhood, Youth  and Summertime&lt;/i&gt; by John Maxwell Coetzee.</style></abstract><work-type><style face="normal" font="default" size="100%">State</style></work-type><custom2><style face="normal" font="default" size="100%">Papers</style></custom2><custom3><style face="normal" font="default" size="100%">179185</style></custom3><custom5><style face="normal" font="default" size="100%">1</style></custom5></record></records></xml>