The dissertation will focus on the possibilities of using a phenomenological approach in the analysis of a literary text and, within this, on the analysis of imagination, attitude, perception, intentionality, the work of art, etc. This area of investigation is based on Husserl's phenomenology and is also developed in the works of several phenomenologists and literary scholars (M. Heidegger, M. Merleau-Ponty, P. Ricœur, R. Ingarden, J. Patočka, Z. Mathauser, F. Matejov and others), on whom the thesis can also selectively draw. The elaboration of the dissertation presupposes knowledge of phenomenological philosophy and the ability to work with German primary sources.